Tanya Kuznetsova, fed daily by the Poster Every Day discipline, she designs for club nights, literary-performance evenings and bicycle-day campaigns, and pushes standalone typographic studies until her Cyrillic lettering looks glitched and unstable, on the verge of falling apart, a deliberate rebellion against the tidy line she draws all week for children. Her poster for a media-poetry performance, built from a chorus of repeated cat portraits packed against dense event information, shows the same instinct for structure that holds her book layouts together: proof that discipline and chaos can share one hand.

Poster Every Day regulars know her work by its restraint: no wasted mark, no cheap effect not earned by the concept underneath it. Showing up with a finished poster daily, for years, is its own kind of achievement in a field where most people quit after a month — and it is exactly the habit that makes her two practices, the tender and the glitched, feel like one hand rather than two people sharing a desk.

Why we like it: Kuznetsova’s posters have the exacting hand of someone who draws for children’s books all day, nothing there by accident, and everything drawn, never just typed.

Find Tanya online: Instagram · Behance